The Legendary Prunella Scales: Beginning with the Iconic Fawlty Towers to Remarkable Canal Adventures
The celebrated actress Prunella Scales, who passed away at 93 years old, was considered among Britain's most brilliant comedic performers.
Although an extensive and respected career on stage and screen, her legacy will forever be linked as Sybil Fawlty in the 1970s TV comedy, the beloved Fawlty Towers.
Sybil's primary objective throughout her existence to closely monitor her "stick insect" husband Basil - portrayed by John Cleese - between telephone chats fueled by cigarettes with her friend, Audrey.
It fell to her to placate guests who had been shouted at, completely overlooked or, occasionally, throttled by Basil when in one of his more manic moods.
Her unforgettable cackle, gravity-defying hairdo and intense anger were part of a meticulously crafted persona that ranks as a comic masterpiece.
Although numerous performers would have distanced themselves from too close an association with a single role, Scales always expressed her delight in participating of the Fawlty Towers phenomenon.
Early Life and Career Beginnings
The actress born Prunella Margaret Rumney Illingworth came into the world in the Guildford area on June 22nd, 1932.
She belonged to a household deeply in love with the theatre - with her mother, Catherine Scales, an ex-actress who'd given it all up for family life.
Intelligent and studious, after wartime evacuation to the Lake District, Prunella attended Moira House educational institution in Eastbourne.
In 1949, she won a scholarship to the prestigious Old Vic drama school and - two years later - secured a position as a stage management assistant.
This was to the fury of her previous school principal in Eastbourne, who had wished she would seek admission to Cambridge and sent correspondence to the theater to tell them so.
At drama school, Scales was perceived as a developing character performer rather than an obvious Juliet.
"We all wanted to look like Audrey Hepburn," she subsequently informed her chronicler, "but I wasn't attractive and nobody fancied me."
Young Prunella also hid her privileged background, aware that producers started seeking a new kind of earthy credibility in performers.
But she started picking up minor parts in theatrical productions, and, during preparations for a role at Worthing's Connaught Theatre, she met actor Andrew Sachs, who would later star as Manuel the Spanish server, in the famous series.
Her initial television exposure occurred in the year 1952, as Lydia Bennet in a television adaptation of Pride and Prejudice, which featured Peter Cushing - better known for his roles in horror movies - as Mr Darcy.
Her initial film appearances came a year later - in romantic comedy, Laxdale Hall, and David Lean's production Hobson's Choice, opposite Charles Laughton.
During the late 1950s and early 1960s, she was rarely out of work - appearing on stage, film and television, including a brief stint as a bus conductor, Eileen Hughes, in Coronation Street.
She additionally encountered colleague Timothy West.
Following what she characterized as "a gentle courtship involving crosswords and candies", they became a couple, and wed in 1963.
Breakthrough and Iconic Roles
Her major television opportunity came with the series Marriage Lines, a BBC sitcom about recentlyweds, the Starling couple.
Scales appeared opposite actor Richard Briers, at that time a major celebrity in television comedy. The show proved hugely popular and continued for five seasons.
Then came Fawlty Towers, which propelled her to iconic status.
John Cleese and his spouse at the time, Connie Booth, had presented the initial screenplay of their comedy creation to the broadcasting corporation.
Performer Bridget Turner had been approached to play Sybil Fawlty but she had turned it down and Scales auditioned for the role.
She later remembered that Cleese maintained high standards.
"John, appropriately, demanded strict script adherence, and failure to comply would understandably provoke his irritation."
Only 12 episodes were ultimately produced.
The first series, which aired in 1975, failed to win huge audiences but, with subsequent episodes, its hilarious mix of ridiculous physical comedy and awkward circumstances grew in popularity.
Scales thought hard about portraying Sybil Fawlty, and determined that her character's upbringing had to be below Basil's social standing.
At first, the creators had doubts regarding this approach.
"Once they heard the first reading in rehearsal," Scales remembered, "they were sold on the idea."
In subsequent years, she frequently found herself, called upon to play "dragons" and "old bags" when she desired more glamorous roles.
But when asked about her career pinnacle, Scales had no hesitation in picking Sybil Fawlty.
"It was a tough job," she maintained, "yet I remain proud of my work." She even thought it helped get the paying public into performance venues.
"I believe that audience familiarity with one performance encourages attendance at others," she said.
Subsequent Work and Private World
After Fawlty Towers, Scales continued to work in the television industry, comprising a stint as the frumpy Elizabeth Mapp in ITV's Mapp and Lucia.
Her vocal talents were frequently featured on audio broadcasts, notably the BBC Radio 4 sitcom, which later transitioned to TV, and Ladies of Letters, with actress Patricia Routledge, which became an intrinsic part of the program Woman's Hour.
Scales appeared in at two major royal roles; as Queen Elizabeth in the television drama of Alan Bennett's A Question of Attribution, and as Queen Victoria in a solo performance that she presented four hundred times.
She once received a letter from a royal protection officer who confessed that when Scales came on stage, he rose to his feet.
"It was a knee-jerk reaction," she explained. "I was thrilled."
During 1995, she started appearing as Dotty Turnbull in television commercials for supermarket giant Tesco - which paid her partly in vouchers.
The advertising series, which ran for nine years, was cited as the biggest factor in propelling it to market leadership in the mid 1990s.
Scales later came in for some gentle criticism for participating in the commercial campaign, when she supported an initiative to stop local shops closing in her London community.
One of her finest performances came in Breaking the Code, the movie concerning the Bletchley Park wartime codebreakers.
She appears as Alan Turing's mother, who represents a culture that treated homosexual acts as a crime, an attitude that eventually led to his death.
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